I am thrilled that Jake and I have finally started our big project of designing a guitar body and then getting it all set up and wired to play! I previewed the project in this photo at the beginning of the summer, and it has taken us this long to do all of our research and gather the supplies. This project is a bit of an undertaking, so we will be sharing it as a series of posts over the next few weeks. Stay tuned! Today we will be sharing all of the supplies we will use throughout the process, how we chose the guitar, and some experimentation we did to prep.
After doing our research, we gathered everything we thought we would need to design, stain, and finish the body of the guitar. Here are some of the supplies we are using:
-Miquelrius sketchbook & ink pen, for design ideas -pencil, for testing the art on the guitar body -woodburner, for the art -pliers, useful to change out tips of the wood burner -rubber gloves, for staining -staining pads, for applying the stain -Minwax Emerald Express Wiping Stain, we chose a green stain for the body! -220 grit sandpaper, a very fine grit to help us smooth out the body gently -steel wool, to sand off the oil coatings after staining -Tru-Oil and cheesecloth (not pictured), which is what we will be using to make the guitar shiny after the staining process is complete.
The body we chose is a Warmoth Musiclander. Jake was awesome and let me help choose the shape from the Warmoth Custom Body Builder. I preferred all of the "Modern Styles" but decided on the Musiclander because it wasn't too crazy, and still had a traditional feel to it. Jake liked this choice as well, and that was that!
The guitar is made of Alder wood. So far it has proved easy to work with, which is great. It is also a beautiful color. We considered going with a brown-toned stain and even had it in our cart at Home Depot, but at the last minute spotted the Emerald version and thought, why not? We did however have to track the color down on Amazon, because it isn't stocked through Home Depot.
We were then ready to prep the guitar for sanding. The body is high quality, so it was already pretty smooth, but we went over it with a very gentle 220 grit to get it perfect.
Testing beforehand is always a good idea. We wore rubber gloves and then squirted some stain out onto a paper plate. Then dip a staining pad into the stain. A little goes a long way when it comes to this product, so work with it in very small amounts. We then rubbed it along the direction of the woodgrain, on a test piece of wood from the craft store. You can test different methods and how many coats you would like at this point.
Since we decided to wood burn our design into the guitar, I practiced that on the scrap wood as well. This was useful to test out the new tips I had purchased, to see what each one can do. In the third part of this series, I will elaborate on each tip and what kind of results they will create!
That's all for now! Thanks so much for reading and check back soon for the next part of our series, the Design + Sketching process!