Guitar DIY // Part 4: Oil

Guitar Oil Intro 2 Well kids, we're finally at the point with our guitar project where it's starting to look pretty legit. It feels so good to say that! This DIY was a big undertaking in a short amount of time, and we're very excited to see it come this far. Keep reading for the down low on oiling your stained guitar!

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There aren't many supplies for this step of the process, but it's crucial to have the correct ones. First, to sand between each coat, we used a grade 00 steel wool. Before oiling the next coat, it's important to rub a piece of tack cloth over the surface to remove any debris. Finally, the oil we used is called Tru-Oil. It is a gun stock oil that cures and hardens with each coat, creating a very strong and protective surface.

Note: the stain we used to get the green color is Minwax Emerald Wiping Stain, and the how-to for staining can be viewed here!

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To apply the Tru-Oil, we tried many different applicators before finding the perfect one. Surprisingly, the most successful option were cosmetic sponges used to put on foundation. They were don't leave any residue behind, and also create pretty clean strokes.

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After protecting your hands, place a cosmetic sponge wedge over the top of the Tru-Oil bottle and tip it over to get a small amount on the sponge. With this product, a little goes a long way. Each side of the guitar only needed 2 or 3 sponge fulls of oil.

Coat the front, back, and sides with the sponge. Take your time to create a clean look, leaving no drips or streaks behind. Then leave the oil coat dry for 2 hours.

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Here is our makeshift drying rack. We rigged the guitar onto a clothes hanger with some tied plastic cord. We then hung the body in an open area (in our case on a hi-hat cymbal stand) with a fan for ventilation.

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After giving the proper amount of drying time, you are ready for another coat of Tru-Oil. To prep, sand the entire body with a piece of steel wool. This will feel a little taboo at first because it roughs up the nice polish, but that is what helps the oil adhere after each new coat.

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Lastly, rub a piece of tack cloth over the entire body to pick up any debris left over from the steel wool process.

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Continue applying oil, drying, and sanding. Here is what the body looked like after 3 or 4 coats. It is shiny, but nothing compared to how it looked a few coats later...

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Jake and I are so pleased with how this guitar project turned out. We learned a lot along the way, and would do some things different next time, but that's all part of the process, right? For now, this just might be the last you see of this guitar on here for a while. Since I am off to Europe on Saturday, Jake will be left to work on the neck and all of the wiring on his own. We hope you have enjoyed this 4-part series! Perhaps one day we can share the final finished product with you! Thanks for joining us!

Want to make your own guitar? Check out all 4 steps of the DIY guitar series: 1/2/3/4

P.S. Stop by the blog tomorrow for an exciting giveaway!

 

DIY Guitar // Part 2: Sketching + Woodburning

TITLE INTRO Hi guys! I hope you enjoyed last week's post that was part one of our new series, DIY Guitar! Now, it is time for part deux! This will cover my sketching process to come up with the perfect design, and then about the wood burning process and some tips. Enjoy!

guitar sketch 1

Jake and I threw a lot of ideas back and forth about what kind of design to put on this guitar. At some point, we settled on a koi fish because we both like Asian art and Japanese tattoos. We also thought the shape of the koi body would flow well with the shape of the guitar. This was one of our final sketches, which I drew on a guitar body template I made up in Photoshop.

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However, at the last minute, I think both of us knew we weren't crazy excited about the koi fish design. Although I was the one drawing, the whole sketching process was very collaborative between Jake and I, especially because he will be the one playing the guitar! One day we had an aha moment. One of our favorite bands is Four Year Strong. They have a lyric that goes "We built this city on heart and soul," and once we started discussing that as a possible design, we were hooked. This was one of the original sketches, but we improved it before getting started.

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Here is a refined sketch before we began wood burning. It incorporates a city and sunburst, as well as stars and a planet to make it a little more etherial. As you can tell, I didn't draw out the entire design perfectly before sketching it on the guitar in pencil, but that is kind of how I work. I usually save the final sketch for the final product, and do it freehand.

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We were now ready to begin wood burning! I used a Walnut Holly Creative Woodburner, which has lasted me over 6 years and it has always been reliable and awesome.

woodburning tips

If you're unfamiliar with wood burning, here is a little guide to get you started. There are a ton of different tips you can purchase for your woodburner, and most come with about 4 when you buy it anyway. The ones I use most commonly are these three.

The universal tip: this is what I used for the majority of the guitar design. It has a very straight and sharp edge that creates clean, straight lines. Curves are a little more difficult with this baby

The point tip: This was a new tip I picked up, that I now love! I used it for all the stars because it makes nice little perfect circles. I also used it for some of the curves, like in the planet and lettering.

The shading tip: I didn't do any shading for this project, but it's a great little tip. The harder you press, the darker your shading will be!

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Here is how the design turned out. I was very pleased with it considering I hadn't woodburned a big project since this longboard.

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Here's our whole design! We love it! Let me know what you think of it in the comments, and if you have any questions about wood burning guitar projects, let us know! Stay tuned for Part 3: Staining! x. Paige

DIY Guitar // Part 1: Supplies + Testing

I am thrilled that Jake and I have finally started our big project of designing a guitar body and then getting it all set up and wired to play! I previewed the project in this photo at the beginning of the summer, and it has taken us this long to do all of our research and gather the supplies. This project is a bit of an undertaking, so we will be sharing it as a series of posts over the next few weeks. Stay tuned! Today we will be sharing all of the supplies we will use throughout the process, how we chose the guitar, and some experimentation we did to prep.

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After doing our research, we gathered everything we thought we would need to design, stain, and finish the body of the guitar. Here are some of the supplies we are using:

-Miquelrius sketchbook & ink pen, for design ideas -pencil, for testing the art on the guitar body -woodburner, for the art -pliers, useful to change out tips of the wood burner -rubber gloves, for staining -staining pads, for applying the stain -Minwax Emerald Express Wiping Stain, we chose a green stain for the body! -220 grit sandpaper, a very fine grit to help us smooth out the body gently -steel wool, to sand off the oil coatings after staining -Tru-Oil and cheesecloth (not pictured), which is what we will be using to make the guitar shiny after the staining process is complete.

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The body we chose is a Warmoth Musiclander. Jake was awesome and let me help choose the shape from the Warmoth Custom Body Builder. I preferred all of the "Modern Styles" but decided on the Musiclander because it wasn't too crazy, and still had a traditional feel to it. Jake liked this choice as well, and that was that!

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The guitar is made of Alder wood. So far it has proved easy to work with, which is great. It is also a beautiful color. We considered going with a brown-toned stain and even had it in our cart at Home Depot, but at the last minute spotted the Emerald version and thought, why not? We did however have to track the color down on Amazon, because it isn't stocked through Home Depot.

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We were then ready to prep the guitar for sanding. The body is high quality, so it was already pretty smooth, but we went over it with a very gentle 220 grit to get it perfect.

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Testing beforehand is always a good idea. We wore rubber gloves and then squirted some stain out onto a paper plate. Then dip a staining pad into the stain. A little goes a long way when it comes to this product, so work with it in very small amounts. We then rubbed it along the direction of the woodgrain, on a test piece of wood from the craft store. You can test different methods and how many coats you would like at this point.

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Since we decided to wood burn our design into the guitar, I practiced that on the scrap wood as well. This was useful to test out the new tips I had purchased, to see what each one can do. In the third part of this series, I will elaborate on each tip and what kind of results they will create!

That's all for now! Thanks so much for reading and check back soon for the next part of our series, the Design + Sketching process!

ART_Monogrammed Custom Pickguard

DSC_0571 edit I had the idea to add custom painted pick guards to my Etsy shop, after working on this DIY. I was excited to have an order come in right after, and did this quick little design for the client on a Les Paul guard. She asked for a simple frog silhouette and name in black, and it came out just as I had planned. I'm looking forward to more orders like these that are small scale projects.

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If you are interested in a custom pick guard, please check out this listing in my Etsy shop!

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